A Compelling Film-Within-A-Film Mystery That Keeps You Hooked – ‘Kaantha’ Movie Review
Before its release, Kaantha found itself in the middle of controversy, with strong claims suggesting that the film was based on the life of legendary Tamil cinema icon M.K. Thyagaraja Bhagavathar, who ruled the industry between 1934 and 1959. But once the film unfolds on screen, it becomes evident that except for a couple of moments that faintly remind viewers of that era, Kaantha bears no direct resemblance to Bhagavathar’s life. The film stands on its own as a gripping drama set against the backdrop of the film industry.
At the heart of the story is Dulquer Salmaan as T.K.Mahadevan, a celebrated theatre artiste who gets his break in cinema through a director played by Samuthirakani. A clash of egos soon erupts between the two, affecting not only their personal rapport but also the creative process.
Amid this tension, producer Ravindra Vijay’s character, Martin Prabhakaran, launches a new film titled Kaantha, casting Dulquer as the lead and introducing Bhagyashree Borse as the heroine, while Samuthirakani directs. But unresolved differences between Dulquer and Samuthirakani keep interrupting the shoot, disrupting the team’s progress.
The story intensifies when a crew member is mysteriously murdered. Rana Daggubati enters midway as the investigating inspector, and from that moment the narrative takes on a thrilling, suspense-driven trajectory. Who committed the murder, why it happened, and whether the film Kaantha will ever be completed—these questions drive the film toward its climax.
Dulquer delivers an excellent performance, embodying his character with measured realism and emotional depth. It is hard to imagine anyone else fitting the role better. Bhagyashree Borse is a delightful surprise—her screen presence, natural expressions, and confidence make her a strong performer right from her debut. Samuthirakani plays the proud, self-righteous director with convincing nuance, while Rana Daggubati adds a refreshing mix of seriousness and humour to his investigative portions.
Supporting actors Gayathri Shankar, Nizhalgal Ravi, Bhagavathi Perumal, and Vaiyapuri all do justice to their roles. A special mention must be made of Bijesh Nagesh—grandson of the legendary comedian Nagesh—who shines in the role of an assistant director, honouring his lineage with a commendable performance.
The film’s technical departments stand tall. Music composers Janu Chander and Jakes Bejoy elevate the emotional tone of the screenplay. Danny Sanchez-Lopez’s cinematography, especially the black-and-white sequences, beautifully recreates the aesthetic of the bygone era. Editor Antony keeps the narrative largely crisp, ensuring the film never feels visually tiring.
Director Selvamani Selvaraj, who has co-written the story, screenplay, and dialogues with Tamil Praba, handles the film with confidence. The first half moves swiftly and keeps the audience engaged, while the second half—though gripping—occasionally slows down due to a few extended scenes. Yet the film continuously holds the viewer’s curiosity, always making them anticipate the next turn.
Dulquer Salmaan, Bhagyashree Borse, Samuthirakani, and director Selva Mani Selvaraj all deliver award-worthy work, and their National Award prospects look strong.
Overall, Kaantha is an engaging, well-crafted mystery drama that appeals to all sections of the audience. With impressive performances, solid technical craft, and an intriguing narrative, the film stands out as a memorable cinematic experience.
Rating: 4/5